DJzone DJ Magazine

http://www.djzone.net/pg/news/1_13/ableton-live-reviewed.shtml

Ableton Live Exposed!

Live, Live Live....This is all I have been hearing for the last few years. You gotta try it they say, it will change your way of making music. Years ago I briefly looked at the description and it says it is a loop based tool. I'm sick of loops, what is with the loop craze. Doesn't anyone make music anymore? Between ACID and Sonar I can work with loops until my heart is content, and I haven't touched ACID in years (either kind). This is where I made my mistake.

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Live, Live Live....This is all I have been hearing for the last few years. You gotta try it they say, it will change your way of making music. Years ago I briefly looked at the description and it says it is a loop based tool. I'm sick of loops, what is with the loop craze. Doesn't anyone make music anymore? Between ACID and Sonar I can work with loops until my heart is content, and I haven't touched ACID in years (either kind). This is where I made my mistake.


It wasn't until the DJ Expo in Atlantic City this past August that I really checked it out, as M-Audio was holding a seminar on it (yes I knew it was a product sales demo, but I went anyway). And man, all I can say is why didn't I use this earlier. Now, you can read the reviews in the high end magazines, but for the struggling DJ or newbie producer it is all jargon to them, so let me give you the view from the aspect of another DJ. My initial reaction was huge, and I asked every right question I could. Can it do this? Can it do that? And yep it did it all. But my initial idea of using it in the studio for producing just evolved into a secondary use for DJing (Hence the Live name). Let me try to explore both uses.

It will do things that loads of other software out there do, in a fraction of the time


Live's use in the studio was best described to me as “It will do things that loads of other software out there do, in a fraction of the time.” and it couldn't have been better said. Using Live's clip view your song is arranged so that each track has various different clips of audio or midi in them, and they can be mixed and matched around with other tracks, being able to listen to different arrangements on the fly. One clip in your drums track can be the basic pattern, another the break down, another just the kick, and so on. All of these can be listened to on the fly, in real time with any other part from any other track. Clips can consist of either audio data (looped or one-shots) or MIDI tracks (loops that can control soft synths, drum machines, Live's synths, and even external MIDI pieces). But it can go further than that, load up an audio sample, add an echo effect to it, automate volume changes, throw some distortion on it and all this info is saved in the clip. You can now use this clip in any project you want and the effects and everything are all part of the looped sound, which you can still edit at anytime!! To top it off you can even use MIDI tracks to do the same thing. With full support of VST effects and softsynths, the possibilities are amazing. I loaded up Native Instruments Battery 2, loaded up an entire drum kit and then proceeded to make a MIDI Clip. With quantize record, it automatically makes your drum patterns that you do by hand line up. So if you can't drum by finger in perfect time it will take care of it for you. I just cut my drum programming time in half. But what if you don't have loops readily available? No problem.

I loaded up Diana King's “Shy Guy” and Live's Auto-Warp function automatically detects the BPM, and sets up markers to make it sync up with any beat. Even works on rock tracks. How well does it work? Perfectly in this case. I grabbed a looped drum sound and threw it on top, and it lined up for the entire song. This makes making basic edits a breeze for those of you who want to make your own remixes. And you can take that same full length song file and create new loop points with it, new clips from that original file with different effects and loop points, I seriously mean the possibilities are endless. I nailed out a remix of “Shy Guy” in under 45 minutes, and it sounds amazing, I play it out every week. This same mix would have taken me about 2-3 hours in other software, and I have been using studio gear for years. It keeps the technical crud out of your face and allows you to really get back to being creative. If you work with any type of dance material, I can not recommend enough that you pick this up. I even know from first hand knowledge that many of the Select Mix remixers use this software. If you have limited or no experience in studio software, do not fear. Live has a tutorial built into the software. Not just some extra Windows' browser with an Acrobat file or something like that. This has a full blown, hands on training tutorial built into the software, something I wish EVERY manufacturer did. Just remember Ableton did it first.


So ok, you don't really care about producing, or maybe you do but also want to spice up your DJ sets. Live is definitely your tool. As it's name suggests it is perfect for live use. Stable, low on processor power, efficient, intuitive, and basically the only one for the job. Imagine dropping drum sounds from other tracks on top of what you are playing. Or even your own basslines. How about rock tracks on top of a hip-hop beat. You can adjust the BPM in real time and it time stretches it all in real time. I picked up a “Red Sound Voyager 1” piece off of Ebay to take it another step. This unit reads the signal from your cd player, turntable, or right off the mixer and converts the BPM (which is accurate to 1/100th of a BPM) into a MIDI Clock signal which you can then send into Ableton to sync up. I can now be playing Daft Punk on the decks and syncing Live to it, with loops of ABBA or Tone Loc, or even 50 Cent (just giving you an idea of the possibilities). You can even DJ full songs on it, mixing with other songs on it. Live allows you to assign tracks to a built in crossfader just like a DJ mixer, and with a multiple output sound card you can even monitor one side while the other is playing, just like a mixer. And so you don't have to DJ with a mouse, you can assign any function to a MIDI controller (play, stop, crossfader, levels, etc..). If you really want to stick out from the rest of the herd Live is the way to go.


I can't even begin to tell you what this software can do and the possibilities for studio and live use. My purpose is to open the DJs eyes to what may be possible. Going on and on in an article meant for DJs will most likely make your heads spin with talk about studio jargon most won't understand. You need to get into it and see it for yourself. Go to www.ableton.com and download a fully functional demo. The only thing you can't do is save your work. Get this software!!!


For those of you that need the detailed info here you go:
MIDI

Audio and Remixing

Recording and Sequencing

Playing and Performing

Effects and Instruments

Routing and Sync

Also includes...

Macintosh System Requirements

Windows System Requirements